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Показаны сообщения с ярлыком #Rap & Trap. Показать все сообщения
Показаны сообщения с ярлыком #Rap & Trap. Показать все сообщения
Mike Shinoda - Can't Hear You Now
You can call till your voice is running out
But I can’t hear you now
I can’t hear you now
I’m somewhere far away where you can’t bring me down
So I can’t hear you now
I can’t hear you now
Run run it back / tell ‘em what I’m coming at
I was on that bullshit then / now I’m done with that
Scared of what I didn’t want / scared of what I wanted and
Thought that I was finished but I hardly had begun in fact
I’m a beast I’m a monster a savage
And any other metaphor the culture can imagine
And I got a caption for anybody asking
That is / I am feeling fucking fantastic
Some days it doesn’t take much to bring me down
Some days I’m struggling for control
Some days it doesn’t take much to bring me down
Right now I’m floating above it all
So you can call till your voice is running out
But I can’t hear you now
I can’t hear you now
I’m somewhere far away where you can’t bring me down
So I can’t hear you now
I can’t hear you now
Come come again / feel it when it’s flooding in
Woke up knowing I don’t have to be numb again
Starting line scratched out, I don’t have to run again
Give a fucks maxxed out / tell ‘em I’m not coming in
I’m not present on the payroll
And you can tell me I should do it cause you say so
But I’m not dancing to the rhythm you replay no
Cause I’m already half a million miles away though / they know
Some days it doesn’t take much to bring me down
Some days I’m struggling for control
Some days it doesn’t take much to bring me down
Right now I’m floating above it all
So you can call till your voice is running out
But I can’t hear you now
I can’t hear you now
I’m somewhere far away where you can’t bring me down
So I can’t hear you now
I can’t hear you now
And I waited too long / I listened too much
You said what can’t be unheard
I’m drawing a line / enough is enough
I let you have your last word
Mike Shinoda - Make It Up As I Go (feat. K.Flay)
I keep on running backwards
I keep on losing faith
I thought I had the answers
I thought I knew the way
My brother said be patient
My mother held my hand
I don’t know what I’m chasing
I don’t know who I am
Woke up this morning holding my head
Thinking last night is one I’ll regret
Washing off the bad decisions / the blurry vision
The clues that I’m still a mess
Spitting out the taste I have in my mouth
Knowing what this all is really about
Knowing there’s an explanation / an expiration
I gotta figure shit out
And they’re asking me / if I can see / the darkness down below
And I know it’s true / I say I do / when half the time I don’t
Maybe I can’t make / what it may take / to leave this thing behind
But I shut my eyes / and cross each line / and every time
I keep on running backwards
I keep on losing faith
I thought I had the answers
I thought I knew the way
My brother said be patient
My mother held my hand
I don’t know what I’m chasing
I don’t know who I am
Waking in the dead of night I can’t sleep
Sleeping in the light of day for like weeks
Reality was out of focus
I could be hopeless
Instead I gritted my teeth
I didn’t have the patience left to explain
Didn’t wanna wait while nobody came
I know the path ahead’s uneven
But while I’m breathing
I have to make my own lane
And they’re asking me / if I can see / the darkness down below
And I know it’s true / I say I do / when half the time I don’t
Maybe I can’t make / what it may take / to leave this thing behind
But I shut my eyes / and cross each line / and every time
I keep on running backwards
I keep on losing faith
I thought I had the answers
I thought I knew the way
My brother said be patient
My mother held my hand
I don’t know what I’m chasing
I don’t know who I am
So I make it up as I go (o-oh, o-oh)
I make it up as I go (o-oh, o-oh)
So I make it up as I go (o-oh, o-oh)
I make it up as I go
As I go
Free Candy Inside - The Rope MKP
For the additional informations, the music video was filmed and edited by MKP:
Flo and Behold - Thrive
Flo & Behold is a 3-piece band out of Victoria, BC, Canada.
Formerly known as The Common Wealth, F&B breaks down the walls of genre classification, blending hip hop with a variety of musical influences. 2 & 3 part vocal harmonies compliment the chill, but technical, lyrically-conscious rap. Guitar and Cello offer the band’s sound an array of string styles.
Darrein Safron - Ends
Darrein isnt your typical fifteen year old suburban white kid. He has street smarts, and it shows through his music and personality. Darrein has been singing since the age of 2 and has been performing live since the age of 4. He has performed with Chuck Berry, and on the Apollo stage in NYC at the age of 11. Obviously, stage fright has never been an issue for him. Darrein writes all of his own music, and has one of the hottest production teams in the industry that includes Bradd Young, Swift, and Tony Esterly.
Brian Jamieson - Money Talks
Brian Jamieson is one of Scotland's most successful hip hop artists, in his time he has opened shows for 50 Cent / Busta Rhymes / The Game / Xzibit / Sugarhill Gang amongst many others, playing some of the U.K.'s most iconic venues like Glasgow Barrowlands / SECC / O2 Academy / ABC / Brixton Academy / Alexandra Palace in a twenty year span that includes a slew of critically acclaimed releases.
Brian is also a massive Punk and Heavy metal fan and has released great material under the guises of his bands The Paradox & Skeleton Verse who in their time opened shows for Scars on Broadway / Prong / Pop Will Eat Itself / Black Pacific.
Brian's new LP "Your Back Is a Great View" will be released in February 2018 and will be multi genre.
Rittz - I'm Only Human
The Atlanta metropolitan area stretches on for at least 30 miles beyond the Georgia Dome and the World of Coke. Peachtree Street (conspicuously void of actual peach trees) stretches up through several counties, changing its name a number of times, confusing the tourists and the transplants. Furthest to the north of the metro area, sits Gwinnett County; sprawling and well-populated by a mix of out-of-towners hoping to indulge in a slice of that oft-mentioned American Pie: a house in a subdivision with a yard for the kids. After closer observation though, it’s apparent that the suburbs of Gwinnett are the digs to many who don’t fit the cookie cutter, Stepford lifestyle. The county, more frequently being referred to as the Northside, boasts both million dollar homes on golf courses as well as drug hubs in neighborhoods riddled with gang activity. The Northside, essentially, is in stark contradiction to itself. Rapper Rittz is the Northside.
Raised in Gwinnett County, Rittz embodies the same level of irony and self-conflict as his hometown. Born into a musical family, he, his twin sister and their brother had always been exposed to the inner workings of music. The fact that their parents were heavily into rock and roll ensured that the kids were always around instruments or in studios. The family moved from small-town Pennsylvania (Waynesburg) to the Atlanta outskirts when he was eight years old, and once Rittz got to junior high, his musical tastes evolved. Atlanta’s booming bass and rap movement had traveled north on I-85 to get the entire metro area jumping.
”When I moved here, I was introduced to rap music. When I started rapping, I was listening to any early Rap-A-Lot records, like Willie D, Geto Boys… Kilo [Ali] was like the first. So when I started at 12 years old, my early raps, I tried to rap like them,” he explains, “But the early Outkast, and Goodie Mob was really the beginning of me wanting to rap and imitate them in finding my own style. Me and another guy were actually in a group called Ralo and Rittz [1995-2003], we were like the white Outkast, or we tried to be like that. I had a studio in my basement, and we put out a bunch of tapes in Gwinnett. I felt like we were one of the first, if not the first... There were only maybe one or two other people rapping in Gwinnett at the time, from ’95 to 2000.”
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